Year: 2018

  • Quote: How Music Works

    Quote: How Music Works

    I love facts like this. Mainly because they reframe concepts of what is “real” – something many musicians obsess over. There’s a popular idea that old recordings are more real, that modern recordings are full of tricks and cheats and it’s-all-done-with-computers to make them sound better. But of course; there’s nothing new about the thinking,…

  • When I Grow Up: Drake Music @ DaDa

    In rehearsals today for DM’s evening at DaDaFest next week. DaDa is a leading organisation in disability arts, and I’ve had the pleasure of working with them before. Next week I’m performing my guitar/gloves piece, When I Grow Up (originally commissioned by Drake Music for the DM20 celebration, and supported by the PRSF’s Talent Development…

  • World CP Day: What CP Is Like For Me.

    This piece contains frank discussion of ableism and ableist language, and is intended for older audiences. The Tic Tac No, as it’s known, is something I designed in my art college days to represent a particularly insidious problem. Put simply, there are things in life that we accept as right, even though we kinda know…

  • Childish Gambino – This Is America.

    Imagine what it feels like to make work THIS FUCKING GOOD

  • The Sound.

    I hope you’re enjoying this labrynth of unboxing posts. I’ve been posting every day to clear the way and set up a few things. So, next up; what exactly is this new thing supposed to sound like? I’m wary of calling it Metal, but it’s biggest influence is Metal. It’s heavier, darker, more intense than…

  • The Story So Far.

    Oh hi, you’re new here? Okay, the headlines so far: Born with CP after being injured during birth, I got off to a wobbly start. Growing up in a tiny little village, I was the target of much prejudice. I was token disabled kid, but in my head I was gonna grow up to be…

  • The Visual Narrative.

    The Visual Narrative.

    When I reflect on what this project means, I come to realise that it’s really a conversation. It’s not just a body of songs, or a band, or some other music industry specific boundary. It’s about amplifying the conversation that I have been having about music, technology and disability. Of course, musicmaking is at the…

  • The Word.

    The Word.

    I’ve never been a fan of seeing my name on things, so I was always going to give this project a name of it’s own. In thinking about what it is I do, I thought I’d come up with an interesting portmanteau to describe it. I (thought I had) invented a word – dis as…

  • The Series.

    The Series.

    One of the reasons I’m working under a new b(r)and name has to do with that pulling all this together for the listener. I could put this out as Kris Halpin, but that doesn’t tell you anything about what is and why it’s different. My art college brain likens the difference between Kris Halpin, Winter…

  • On Needing A New B(r)and.

    It’s been with me for a while now, this need to make something new of my work. Something bigger and heavier, and a body of work that better reflects the conversation I’ve been having with people all over the world. I wanted to reframe my work in a way that acknowledged the music/technology/disability intersection, not…